Thursday, September 29, 2011

Readings#4: Marzano


MUSIC 23241: MUSIC TEACHING AS A PROFESSION
Mr. Marcus L. Neiman, Assistant Professor
Kent State University School of Music
Fall, 2011

CRN:  200910 – Section number: 001 – Class Days: TR 7:45a – 8:35 am - Classroom: SOM E202
Office: Band Office - 330.672.2965 - Telephone: 330.672.2965 (Kent Campus) - E-mail: mneiman@kent.edu
Office Hours: TR 9:00 – 9:55 am (Additional hours available by appointment)


BlackBoard and Text Readings

Submitted by:  Ryan Michael Critchfield
Submitted for: Mr. Marcus L. Neiman, lecturer
Date: September 29, 2011



Marzano, Robert J. and Jana S.  The key to classroom management.
Association for supervision and curriculum development, Best of 2003-2004, Pages 2-7.


The Marzanos’ article deals with how to keep a classroom under control and create a stable learning environment.  The research they used suggests that teachers that have good relationships with their students had 31% fewer discipline problems (Pg. 2), but they are quick to point out that a good relationship does not have to include being the students friend. They focus their article on three characteristics a teacher should exhibit; exhibiting an appropriate level of dominance, exhibiting appropriate levels of cooperation, and being aware of high needs students.
Their definition of dominance is the teacher’s ability to provide clear purpose and strong guidance (Pg. 3). They can get this simply by having clear expectations and being assertive with their students. Like Bauer, they emphasize strictness on rules and policies, and making expectations clear for the students. They even suggest providing rewards for students who behave, such as tokens. To be an assertive teacher, have an erect posture for example, and make it clear, without saying much if anything, who is in charge of the classroom. One cannot ignore bad behavior, and it must be taken care of appropriately. With cooperation, they stress that while rules and behavior are strict, the goals should be flexible, so that the students do not feel overwhelmed if the teacher sets the bar too high. This flexibility also pertains to special needs students. A teacher must also take an interest in their students, and want them to succeed.
This article was interesting on its analysis of the concept of dominance. It took away the iron fist concept of the word, and replaced it with a rigid statue in my mind. Something big that needs respected, but standing for more than just the rule of the classroom. Like most of the other articles, this will help guide me as I teach my class, but this one had an extra emphasis on children with special needs. It did nottalk just about children with diagnosed disorders, but also children with social awkwardness and smaller, but important needs. Even students that they categorize as perfectionists, those that seek goals far too high for them at their level, they say are not always good, as when they do not reach their goal, they have low self esteem. I always thought it was good to have a student shoot for the moon with their goals, but after reading this article, I think that maybe if it is too big, they should be talked down, and save that goal for later. Another important need students may face is fear with relationships with the teacher, or anyone. This one was not one I thought of, but if a student wants to be involved with the music, but not with me or anyone in the class, they are missing the joy of big environments like band and orchestra and choir. You should at least try to get them involved, or nudge a fellow student to get them to get involved. No one should be left out of a group, but it is even worse when the student keeps themselves out.

Readings#4: Bauer


MUSIC 23241: MUSIC TEACHING AS A PROFESSION
Mr. Marcus L. Neiman, Assistant Professor
Kent State University School of Music
Fall, 2011

CRN:  200910 – Section number: 001 – Class Days: TR 7:45a – 8:35 am - Classroom: SOM E202
Office: Band Office - 330.672.2965 - Telephone: 330.672.2965 (Kent Campus) - E-mail: mneiman@kent.edu
Office Hours: TR 9:00 – 9:55 am (Additional hours available by appointment)


BlackBoard and Text Readings

Submitted by:  Ryan Michael Critchfield
Submitted for: Mr. Marcus L. Neiman, lecturer
Date: September 29, 2011



Bauer, William I.  May 2001.  Classroom management foe ensembles.
Music Education Journal, May 2001, Pages 27-32.


Bauer begins his article noting the differences between an ensemble and other classrooms, noting the lack of desks and classroom makeup as being different from each other. He notes that a proactive educator should be well prepared with his or her literature they will be using, and a curriculum that will plan out what the students should learn and how they should learn it. The teacher should also prepare themselves for many challenges that may occur, and preparing everything they can for their students arrival into the class.
Aside from being organized, one must also be consistent with their instructions. You cannot be indifferent to your policies and classroom rules, as students will see this and try and take advantage of it. A teacher must also have their students do more in the rehearsal than talk and give instructions on how to do it, and make sure each and every section is involved often, so to cut down on distractions. To help improve on any of these points, Bauer suggests using reading recourses from great teachers, recording classes and taking notes on their performance, and having contact and listening to comments and criticism from students, faculty,  or anyone else involved.
Bauer’s article was interesting. Within the article, aside from the text, he offers examples of classroom rules, recourses to consult if needed, and several other useful tips. He was very adamant about the discipline, and he has a good point. If you let one student get away with something but not another for the exact same thing, they will wonder “Why did I get in trouble, but they didn’t?” You must be strict with your discipline, not in a sense of harsh punishment for something, but an even playing field so some students don’t feel privileged, while others feel looked down upon.  Another good point is for the teachers preparation to be good for the day. He notes if a teacher wings it and does not seem to know what they should be doing, they will lose the classroom, and that results in bad behavior and moral. They should feel inspired by the conductor, not like they have to lead them through a piece. Overall I enjoyed the article, because it helped me prepare for what is to come to my classroom, and now I have a better sence of what to do and what not to do.

Thursday, September 22, 2011

Readings#3: Campbell


MUSIC 23241: MUSIC TEACHING AS A PROFESSION
Mr. Marcus L. Neiman, Assistant Professor
Kent State University School of Music
Fall, 2011

CRN:  200910 – Section number: 001 – Class Days: TR 7:45a – 8:35 am - Classroom: SOM E202
Office: Band Office - 330.672.2965 - Telephone: 330.672.2965 (Kent Campus) - E-mail: mneiman@kent.edu
Office Hours: TR 9:00 – 9:55 am (Additional hours available by appointment)


BlackBoard and Text Readings

Submitted by:  (your name)
Submitted for: Mr. Marcus L. Neiman, lecturer
Date: (due date available in Bb)



Campbell, Patricia Shehan.  2008.  Musician and teacher: an orientation to music education.
Pages 40-59.

In chapter three of her book, Campbell talks about the evolution of music teaching since medieval times, and also focuses some on non-western teaching styles. She focuses on three subject areas of learning; formal, nonformal and natural learning styles. She also explores the different teaching styles that occur around the world by different cultures, and the different or similar techniques they use to teach their students.
According to Campbell, the first style of learning, formal, takes place in a structured environment like a school. They have professional teachers teaching students, and everything is structured. Non-formal is similar, but slightly less structured, and happens outside of a school. Natural learning occurs outside the institution, much like a few lessons here and there.
This chapter was especially interesting, because it focused on the evolution of education from all over the world. She gives thought to both the students who were raised around music and those that picked it up along the way. Given I am the first person that I know about to go into music on either side of my family, and I was not raised with any musical influences, I got a more personal reaction form the idea of natural learning. I also loved the exploration of the different kinds of music teaching that have occurred all over the world, and the similarities and differences that existed, or still exist to this day.

Readings#3: Tomson


MUSIC 23241: MUSIC TEACHING AS A PROFESSION
Mr. Marcus L. Neiman, Assistant Professor
Kent State University School of Music
Fall, 2011

CRN:  200910 – Section number: 001 – Class Days: TR 7:45a – 8:35 am - Classroom: SOM E202
Office: Band Office - 330.672.2965 - Telephone: 330.672.2965 (Kent Campus) - E-mail: mneiman@kent.edu
Office Hours: TR 9:00 – 9:55 am (Additional hours available by appointment)


BlackBoard and Text Readings

Submitted by:  Ryan Critchfield
Submitted for: Mr. Marcus L. Neiman, lecturer
Date: September 22, 2011



Tomson, John.  April 2010.  What we learn along the way.
The instrumentalist, Volume Number 64, Issue Number 9, Pages 26, 28-30, 54-55.


In Tomsons article, rather than giving his own opinions from his own experience, sought the advice and thoughts from veteran teachers. They offer advice on running the classroom, suggestion on what worked for them as teachers, and many other bits and pieces of information that any teacher could find valuable. Article segments from Roy Holder, Charles Menghini, Anthony Gibson, Joseph Manfreds, Scott Casagrande and Anthony Pursell offer invaluable advice to anyone willing to read.
Roy Holder’s segment deals primarily not with music, but with efficient work. He talks about respect for others and the jobs they do to make his easier, and deals with letting your students push themselves. The outline I see from this segment is to push them to work harder, so that you can guide them and they can motivate themselves to be better. Anthony Pursell focuses on building relationships with students, parents and other faculty. To build a relationship with parents, simply get them involved and give some band parents responsibilities if they ask to help. He also suggests talking with athletic coaches, retired faculty, counselors, custodians, and really anyone and everyone who is involved.
This has been one of the best articles I have read so far. The main reason for this is that it offers viewpoints and ideas from more than one source, and some of these views are conflicting. While Holder’s article focuses on self motivation, Scott Casagrande suggests mandatory testing, which to me shows a more direct kind of motivation, since they will practice for the test than because they want to get better. These articles really show the variety of teaching styles, opinions and personalities that there are, and that every teacher has a way to use their styles successfully, and maybe correct those parts that do not work.